In this article looking at how the Konflikt 47 game came together, author Chris Hale will be discussing the design choices made when planning the alternative world that the game takes place in and looks at how this affects both model design and rules design. Chris’ll be using the development of the US Grizzly walker as an example of this process in action. Hopefully, this will give you an insight into what you can expect from your games and from future releases for Konflikt 47!
Choosing our limitations
When designing a non-historical setting, the initial options are limitless! However, ‘anything goes’ does not make for a strongly defined setting or aesthetic. One of the great pieces of advice we were given by Rick Priestley was that defining the limits and absences of a setting or faction is a crucial part of establishing a characterful and coherent world.
With this in mind, we created some early principles from which the game setting, model designs and rules would flow. As you’ll see, each one follows logically from the others…
- Super-science, not supernatural. Our earliest design decision was that there would be no ‘magical’ or occult power within the game. Whilst characters within the game might utilise the mythology and trappings of such things for propaganda purposes, all of the ‘weirdness’ was to have a foundation in science (even if the science in question is super-science).
- Special powers, not overpowered. From the scientific base, we established power levels and believable abilities. The ‘no magic’ decision makes this process logical; a genetically engineered hybrid creature that is analogous to a vampire could believably fly, or have superior strength and resilience. It is not logical that it could turn into mist or be destroyed only by garlic, silver or sunlight. Thus, the unique character of the Nachtjaeger begins to take shape. This was repeated for all of the weird elements of the game.
- Strategies adapt and absorb. Another key consideration for us is the fact that the military absorbs new technology and weapons into existing doctrine and tactics. The core principles of infantry, armour, artillery and air support have remained valid for a long time, and the arrival of new technology would support and enhance this, not render it obsolete. So we considered how each new unit type would work with existing forces. This also played into our goal of creating a game that placed the historical forces front and centre, rather than a sci-fi game with WWII trappings.
These core principles informed everything. Before any of the fictional history of the game was penned, or a single model was designed, we knew what the boundaries of the setting were and therefore, what did or did not ‘feel’ like Konflikt ’47.
But what does this look like in practice? Well, a bit like this…
The US Grizzly walker was one of the first walker designs we worked on. In fact, it pre-dates our 28mm scale models, beginning life as a 15mm scale curio! Despite this, it shows how we applied our game world principles.
One of the first things we considered was for walkers as a whole. How powerful are they? Why build them? Obviously, we wanted them in the game because they look cool, but how would they be used? We realised that walkers should be similar to traditional tanks, but feel distinct and fulfill a role lacking at the time.
We decided that the place they fit was in taking armour support into the places traditional tanks were disadvantaged: broken, tight terrain typified by the streets of France and the ruined roads of Stalingrad. Urban fighting and close quarters engagements would be where the military minds of 1947 saw their walkers being employed, so the models and rules would reflect this.
The Grizzly
Moving to the Grizzly specifically, I drew several rough sketches before landing on the design you see here.
Essentially, I was looking for shapes and features lifted from the Sherman design. Nabbing hatches, vents etc makes sense in that engineers would logically re-use parts for efficiency and cost, but it also gives a ‘design vocabulary’ that ties a design to its home nation.
The first Walker. An unassuming beginning!
I also noted a few small engineering features to sell the ‘logic’ of the design. It always bothered me that some games put large, recoil heavy weapons on the shoulders of spindly legged mechs, so I designed the Grizzly to have knee pads that double as stabilising ground plates and an overlock bar on the ankle, so that it could brace itself to fire the 75mm gun. I also added a skirt of ablative armour around the fragile hip joints and gave it the ubiquitous M50 pintle gun. I included headlights for operating in poor lighting and shoulder plates that could have aerial identification markings to avoid friendly fire.
The Grizzly in all its digital glory
The digital version of the Grizzly has a few concessions to the realities of production; the armour skirt became a single plate to reduce parts, and the model got smaller overall. However, some other elements such as the leather gun cover arrived to tie the model more closely to its historical setting.
The rules for the Grizzly reflect our design choices as well. As a walker, it can traverse terrain types a tank cannot. Although it is more lightly armoured than a tank in the same size class, its armour is evenly distributed on all sides, so it lacks any weak spots. Its 360 degree hip joint allows it to fire its gun in any direction as a turret, whilst the two articulated fists enable it to engage in close assaults against vehicles, infantry and even other walkers.
Just as importantly, the Grizzly fulfills its role as a workhorse chassis, with two other variant designs listed in the core book. There are yet further variants in the works, so it looks like you will be seeing more of this walker in the future!
I hope this brief tour into the process of designing the setting and models has been useful and will help you in designing your own armies, conversions and unique models. Thanks for reading!
The Grizzly is Out Now, get yours here Today:
Out now and in stores today:
Dan Hewitson
Tom Mecredy
Aaron Trueman